Ho ho ho! Welcome to the Druidstone development MEGA-UPDATE! As they say, time flies when you’re having fun, but it’s still hard to believe three months(!) have passed since the last blog update. So what have been up to lately? Well, many things, glad you asked!
For instance, we now have a full fledged level editor, which allows us to make much more detailed levels. A year ago, when the game design was more heavily oriented towards procedurally generated content, we thought that we would not need a level editor at all. The levels were supposed to be mostly generated with some manually crafted rooms thrown in. But as development progressed, we felt the need to make more and more hand crafted locations and the need for a proper level editor arose. We will still keep adding new features to the editor, but as it is now, it’s ready for some prime time and we can start making new content with it.
Summer vacations are over and we are working hard on Druidstone!
Before the summer vacation we had quite a productive week. Some of the contributions were already mentioned in the last blog update, but a couple of things did not quite make it to the blog post.
First: we implemented grass rendering. What a difference does it make! My desk is facing away from the window, and of course we keep the window blinds closed like proper geeks do. To calm my nerves and induce lucid dreams of childhood summers in the Finnish forests, I can just stare at the wind blowing through the Menhir forest. Aah, lovely, I can feel my blood pressure dropping!
Second: Petri tweaked the camera angle a bit. It’s not exactly isometric (or axonometric), as it has perspective projection, but the world is now rotated 45 degrees around the vertical axis. This makes it possible to move the camera a bit closer by default, which brings out the detail in our models, making everything look great. But don’t trust just my word for it, see the screenshot down below.
After the vacation, we have introduced a bunch of new monsters, restructured the whole game – acts are gone – and rewritten artificial intelligence. But more about this later!
Hullo fellow druidsters! It’s time for another Dev update. As always, we’ve been busy with the game getting a lot of stuff done. We’re giving a last push before the well earned summer vacation time, so it will be a bit more quiet in the Druidstone’s forest during July.
That’s one big troll. Look at it! It totally fills 2×2 grids.
This is the first post of our of behind the scenes series, where we take a closer look how games are made and what happens under the hood of a game engine.
In game industry art pipeline is the process where an art asset is designed and produced in certain ways and tools so that it is compatible with the game engine and design. I’ll be walking you through the art pipeline we have created for Druidstone and show how the Dark Knight, one of the enemies facing the player was created.
All is dark. Your mind is floating in the endless reaches of the great void. Barely visible, mist and dim fading stars in the far distance are the only things you can discern. Then, suddenly something in the darkness stirs… “Your time has not yet come” a deep resonating voice booms. A bright light flashes so intensely that it pierces your mind!
You hear the rustling of autumn leaves. You open your eyes and see an ancient pillar of stone covered in pulsating runes. You are standing in the center of a stone circle in the middle of a clearing somewhere in the Menhir Forest. A woman with skin of purest white steps forward and smiles at you. Her eyes glow blue, like distant galaxies. “What took you so long?”
Welcome to the Druidstone dev blog! This blog is about the development of a fantasy roleplaying game called “Druidstone: The Secret of the Menhir Forest” which we have been working on since fall 2016.